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Body Talk Pt 2 (Explicit Lyrics) - R&B Soul Music Album for Workout, Party & Relaxation
$18.27
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Body Talk Pt 2 (Explicit Lyrics) - R&B Soul Music Album for Workout, Party & Relaxation Body Talk Pt 2 (Explicit Lyrics) - R&B Soul Music Album for Workout, Party & Relaxation
Body Talk Pt 2 (Explicit Lyrics) - R&B Soul Music Album for Workout, Party & Relaxation
Body Talk Pt 2 (Explicit Lyrics) - R&B Soul Music Album for Workout, Party & Relaxation
Body Talk Pt 2 (Explicit Lyrics) - R&B Soul Music Album for Workout, Party & Relaxation
$18.27
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Description
Robyn - recently heralded as the "critically anointed electro queen" by Spin - expands her pool of collaborators on Body Talk PT 2, bringing aboard Snoop Dogg and Savage Skulls for the second in a trilogy of albums she'll release this year on Cherrytree Records. The moody "Love Kills" was recorded with Swedish techno-pop duo Savage Skulls and Snoop Dogg is featured on "U Should Know Better." Robyn teamed up again with Klas Ahlund and Diplo for the steely, tongue-in-check rap-pop of "Criminal Intent." Other collaborators include Carl Bagge and Kleerup, producer of the international No. 1 single "With Every Heartbeat" from Robyn's GRAMMY®-nominated, self-titled album, released in 2008 on Cherrytree Records. "Hang With Me" forms a bridge linking the first two Body Talk collections, evolving from a lush, acoustic ballad on PT 1 to a shimmering dance floor delight on PT 2 and tapped as a future single. Robyn recently gave her current single - "Dancing On My Own" from Body Talk PT 1 - its U.S. television debut on "Late Show with David Letterman." The New York Times called the track "sublime" while The Times of London hailed it as "a digital torch song worthy of Confessions-era Madonna." Released in June 2010, Body Talk PT 1 has elicited international acclaim. The New York Times noted in a "Critics' Choice" review: "Certainly you could draw a dotted line between Robyn and Lady Gaga . . . But comparisons tend to short-change Robyn." "Is there a more inspiring pop star on the planet than Robyn?" asked NME while People observed: "Before other chicks hopped on the electro bandwagon, she showed the way." US Weekly called Body Talk PT 1 "the best pop album of the year" and Rolling Stone praised its "killer hooks and shiny beats." "[Robyn] is remarkably adept at producing pleasurable, accessible pop that, like some kind of graphite alloy, is light but strong, able to carry humor and emotional weight," said The New Yorker. Her "All Hearts" North American tour with Kelis was named one of the "25 Must-See Summer Tours" by Spin, which described Robyn as "equal parts Debbie Harry austere, Cyndi Lauper whimsical, and Nina Persson sweet." The Los Angeles Times praised her "muscular, hard-hitting energy" and The Washington Post described her set as "an hour-and-a-half of ebullient pop." The tour concluded on an incredibly high note last week with two sold-out shows at New York City's Webster Hall. "[Robyn] swept New York City's Webster Hall into a frenzy so wild that it threatened to collapse the floors of that historic venue and send the sold-out crowd straight to their calamitous deaths, still dancing," said EW.com. "I've rarely seen a singer...connect so thrillingly."
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Reviews
*****
Verified Buyer
5
It's interesting that Robyn released the Body Talk project in three parts, because that makes it all the more difficult to talk about either of the three parts without comparing it to the other two. Not only that, these aren't definite albums, I feel like they are what Robyn described them to be, songs that are put out as they are ready. Part one was great, and I feel like although part two has a few moments that I could have done without, it's still so addictive as a whole that it can stand apart from parts one and three and still be the most dynamic of all.The whole album is upbeat and Robyn has a repertoire of imaginative and solid lyrics that I don't think are unmatched, but that suit her so well, that if any other artist were to have come up with them I wouldn't have found them fit. Right off the top of my head I think that "We Dance To The Beat" and "Indestructible" are incredibly well written. I also think that they are two of the stand out tracks on the album. From beginning to end, there is a flow that keeps you up but changes it up enough that you're not listening to the same thing over and over.Of course I think that the ballad version of "Hang With Me" in Body Talk Pt. 1 is superior to this one, but in this album it becomes a moment of nostalgic value. It becomes a feel-good song in part two. "Love Kills" follows it, and not only is it the longest track on the album and one that I think has the most club value, it's probably the slowest point in the album for me. I don't particularly enjoy "Love Kills," nor do I enjoy the fact that it was in the Body Talk album instead of "Criminal Intent," but hey, it changes things up. Everything in this album contributes to the flow, which I feel is Robyn's strongest suit. Girl knows how to keep a flow going like nobody else.

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